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Essay Nested Inside Two Halves of a Peat Core
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A Recorded Reading: “Confetti” from Leavetakings
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Limestone – Brink
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Pièces de Résistance – Alaska Quarterly Review Reading Series
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End Road – Récits, contes et nouvelles
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Creative Nonfiction and Lived Experiences of Power – a talk for the 2020 UAS Power and Privilege Symposium
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Fluid Places – a Leavetakings excerpt published in Anchorage Museum’s Chatter Marks
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The Far Places – Edible Alaska
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Leavetakings
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Circumpolar Duet | Singular Plurality
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“Pioneers.” Acrylic on canvas by Constance Baltuck. Used with permission of the artist.
The Black Spruce – Alaska Magazine
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I Am Here by Jane Isakson. Yukon Arts Centre, main gallery exhibit: Points of Reference | Fracturing the Sublime. Acrylic on canvas, 2014. Used with permission of the artist.
Points of Reference: I Am Here – After the Art
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Yukon Dispatches – Assay
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The Cut – Ocean State Review
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Her Success – Animal Literary Magazine
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How it Was Then/Shells, Thin – Tammy Journal
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Nonfiction as Lens – Brevity Blog
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The Funeral – Nowhere Magazine
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Eating Our Neighbors: Giorgio Agamben, Animality, and Essaying North – Assay: A Journal of Nonfiction Studies
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Autumn’s Daisy Bell – Outside In: Literary & Travel Magazine
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Confetti – Alaska Quarterly Review
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Tending to Bread – Flyway – Journal of Writing and Environment
Background photo credit: Jeremy Pataky.Fonts: Canada 1500 by Ray Larabie and Adobe Jenson Pro by Robert Slimbach.
