I wrote a review of Mia C. Heavener’s new novel with Red Hen Press, Under Nushagak Bluff. This is an important new addition to the field of contemporary Indigenous novel because it is gorgeously conceived and written, its historic setting bucks an established trend in Indigenous literature, and it cracks open Bristol Bay’s history of epidemics—a history of eerie relevance to today’s coronavirus pandemic.
A couple short excerpts from my review:
My take: Heavener’s novel asks, precisely how does historic understanding erode? Where does the past, personal and collective, get mis-placed, mis-taken, coded, and ultimately concealed?
Seagulls swoop and dive, crying in the salty air. The waves of Nushagak Bay crash on sandbars and rocky shores. Machines rattle the warehouses on the cannery side of the village “where the beach flattened and the boardwalks grew tall.”
So many sounds; so many stories. Yet as I page through Mia Heavener’s new novel Under Nushagak Bluff under the long shadow of the COVID-19 pandemic, it is the novel’s subtle and steady investigation of silence that most captivates me.
Denali Sunrise Publications arranged my review alongside a beautiful array of historic photos, maps, and contextual historic commentary. Full review essay available here.