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Leavetakings
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Reading in Juneau, Alaska: “Contour Lines”
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Workshop: “A Harp in the Stars: Introduction to the Lyric Essay”
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Workshop: “How to Land the Ending”
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New Creative Writing Workshop: Oct–Nov 2022
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Leavetakings Shortlisted as an ASLE Creative Book Award Finalist
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Essay Nested Inside Two Halves of a Peat Core
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A Recorded Reading: “Confetti” from Leavetakings
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Limestone – Brink
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Pièces de Résistance – Alaska Quarterly Review Reading Series
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Dancers Perform the Ice – GlacierHub
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End Road – Récits, contes et nouvelles
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Species, Families + Faultlines – a review of Marie Tozier’s new poetry collection for Terrain.org
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Visual Scribe illustrates the Leavetakings book launch
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Lyric Histories
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A Clockwork for the Land in Beth Peterson’s “Cairns” – Essay Daily
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Creative Nonfiction and Lived Experiences of Power – a talk for the 2020 UAS Power and Privilege Symposium
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Fluid Places – a Leavetakings excerpt published in Anchorage Museum’s Chatter Marks
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The Shadow of Pandemic in Alaska Literature – Denali Sunrise Publications
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The Far Places – Edible Alaska
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Ricky Tagaban faces a frame inhabited by his current weaving-in-progress.
A Fabric’s Entirety – Artists of Alaska: Through the Eyes of 49 Writers
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Cover and spreads, February 2020 issue.
Cartographic Convergences – Yukon North of Ordinary feature
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Bird Cries and Saxophone Sounds – Artists of Alaska: Through the Eyes of 49 Writers
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Circumpolar Duet | Singular Plurality
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Raven detail from top of grandfather pole. Photo used with permission of the artist.
The Whole Body Carves – Artists of Alaska: Through the Eyes of 49 Writers
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“Pioneers.” Acrylic on canvas by Constance Baltuck. Used with permission of the artist.
The Black Spruce – Alaska Magazine
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I Am Here by Jane Isakson. Yukon Arts Centre, main gallery exhibit: Points of Reference | Fracturing the Sublime. Acrylic on canvas, 2014. Used with permission of the artist.
Points of Reference: I Am Here – After the Art
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Yukon Dispatches – Assay
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Artist Lianne Charlie discusses the moose with Drew Lyness’ First Nations Literature in the English Language class. Photo credit: Daren Gallo.
Comminglings of Law and Literature: Thoughts from Yukon Territory – Pedagogy and American Literary Studies
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The Cut – Ocean State Review
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Listening the Lyric Essay – New Writing: The International Journal for the Practice and Theory of Creative Writing
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“Le Badaud” (meaning “the idler” or “the onlooker”). The sculpture is in Sarlat, France, birthplace of Montaigne’s dear friend, Étienne de la Boétie. The sculpture is by Gérard Auliac.
Teaching José Orduña: Ekphrasis and the North American Essay – Pedagogy and American Literary Studies
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Documentation and Myth: On Daniel Janke’s How People Got Fire – Assay: Journal of Nonfiction Studies
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Her Success – Animal Literary Magazine
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Cycle of Success – Library News
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How it Was Then/Shells, Thin – Tammy Journal
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Nonfiction as Lens – Brevity Blog
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The Funeral – Nowhere Magazine
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Eating Our Neighbors: Giorgio Agamben, Animality, and Essaying North – Assay: A Journal of Nonfiction Studies
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Autumn’s Daisy Bell – Outside In: Literary & Travel Magazine
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Confetti – Alaska Quarterly Review
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Tending to Bread – Flyway – Journal of Writing and Environment
Background photo credit: Jeremy Pataky.Fonts: Canada 1500 by Ray Larabie and Adobe Jenson Pro by Robert Slimbach.
